Broken Hill

– Audience Alliance Motion Picture Studios with
Element 115 Productions & Cyan Films

- (total sound post production)

The Clinic

– GSL Entertainment

- (total sound post production)

Freestyle

- Fifth Floor Films

- (ADR recording)

Bright Star

– Jan Chapman Productions

- (total sound post production)

Cedar Boys

- Templar Entertainment

- (total sound post production)

Crush

- Nexus 6 Films

- (total sound post production)

The Combination

– See Through Films

- (Foley, ADR, sound mixing)

Three Blind Mice

- Dirty Rat Films

- (total sound post production)

Crooked Business

- Nyst Entertainment

- (foley, sound mixing)

Fragment

- Multivision/Production Group

- (total sound post production)

The View From Greenhaven

- MacRae Brothers/Screentime

- (total sound post production)

All My Friends Are Leaving Brisbane

- Louise Alston/Bunker Productions

- (total sound post production)

Romulus My Father

- Richard Roxburgh/Arenafilm

- (sound mixing facilities, foley)

Gabriel

- Shane Abbess/HILT Productions

- (total sound post production)

Stardust

- Paramount Pictures UK

- (foley)

Lady Godiva

- Jewson Film Productions UK

- (foley)

Kokoda

- GFN Productions

- (sound post production/mixing)

Happy Feet

- Kennedy Miller Productions

- (sound mixing facilities)

Last Train To Freo

- Longway Films (a Taylor Media/Pork Chop Productions co-production)

- (total sound post production)

Feed

– Brett Leonard – All At Once (sound mixing)

Safety In Numbers

- Safety In Numbers and Multivision 235

- (total sound post production)

Decameron

Director, David Leland – Producers, The Dino De Laurentiis Company (Foley)

Minotaur (2005)

- Director: Jonathan English – Producers: First Look Media, Meltemi Prods (UK),
John Evangelides, CMW Films (Germany), Telema (France), Kanzaman (Spain) and Buskin (Italy) (Foley)

Pobby & Dingham

- Dir: Peter Cattaneo – Producers: Lizie Gower, Nick Morris, Emile Sherman (Foley)

The Illustrated Family Doctor

– Pod Films – (total sound post production)

A Man’s Gotta Do

– Oilrag Productions – (total sound post production)

Under The Radar

– Pictures In Paradise – (total sound post production)

The Crop

– Miracle Productions – (total sound post production)

Undead

- Spierig Film – (sound mixing)

Liquid Bridge

- Avalon Films Corporation – (sound mixing)

Blurred

– Blurred Entertainment – (sound mixing)

Garage Days

– Mystery Clock Cinema – (total sound post production)

• Best acheivement in sound nomination (AFI Awards 2002)

Beneath Clouds

– Autumn Films – (total sound post production)

Subterano

– Becker Entertainment – (sound mixing)

Musa ( Warriors )

- Sidus Corporation (Korea) – (total sound post production)

My Mother Frank

– Intrepid Films – (total sound post production)

• Best Australian Film Soundtrack (Australian Screen Sound Guild Awards 2000)
• Best acheivement in Feature Film dialogue and ADR (Australian Screen Sound Guild Awards 2000)
• Best acheivement in Feature Film Foley
  (Australian Screen Sound Guild Awards 2000)

Looking for Alibrandi

– Belle Ragazze Pty Ltd – (total sound post production)

Paperback Hero

- Paperback Films – (total sound post production)

• Best Australian Film Soundtrack
  (Australian Screen Sound Guild Awards 1999)

Occasional Coarse Language

- Flickering Films – (total sound post production)

Justice

- West Coast Pictures – (total sound post production)

Radiance

– Eclipse Films – (total sound post production)

• Best acheivement in Feature Film sound effects
  (Australian Screen Sound Guild Awards 1998)

A Little Bit of Soul

– Faust Films – (total sound post production)

Happy Ending

– MBC Production Co. Ltd (Korea) – (total sound post production)

Wanted

– Cine 2000 (Korea) – (sound recording & editing facilities)

Doing Time for Patsy Cline

- Oilrag productions – (total sound post production)

• Best acheivement in sound nomination
  (AFI Awards1997)

Thank God He Met Lizzie

- Stamen Films – (total sound post production)

Love Until…

- Manifesto Films – (total sound post production)

Little White Lies

- John Sexton Productions – (total sound post production)

Idiot Box

- Central Park Films – Central Park Films (Foley & ADR
recording)

Ginko Tree Bed

- Shincine Film (Korea) (sound editing and mixing facilities)

Karuna

– Il-Moc Film Productions (Korea) (sound editing and mixing
facilities)

Blackwater Trail

- John Sexton Productions (total sound post production)

All Men Are Liars

- John Maynard Productions (total dialogue replacement ADR)

Mushrooms

– Rosen Harper Entertainment (total sound post production)

• Best acheivement in sound nomination
  (AFI Awards1995)

Vacant Possession

– Wintertime Films (total sound post production)

• Best acheivement in sound nomination
  (AFI Awards1995)

The Sum of Us

- Quicksilver Productions (total sound post production)

• Best acheivement in sound nomination
  (AFI Awards1994)

The Roly Poly Man

- Rough Nut Productions (total sound post production)

Talk

- Suitcase Films (total sound post production)

Bedevil

– Anthony Buckley Productions (Foley recording & mixing
facilities)

Broken Highway

– Black Ray Films (ADR & Foley recording, sound editing &

mixing facilities)

Shotgun Wedding

- David Hannay Productions (total sound post production)

• Best acheivement in sound nomination
  (AFI Awards1993)

Breathing Under Water

– Periscope Productions (total sound post production)

• Awarded special acheivement in sound design
  (AGSC 1992)

The Russia House

– (additional digital dialogue editing)

Return to Blue Lagoon

- Columbia Pictures (ADR recording)

An Angel at My Table

– Hibiscus Films (total sound post production)

• Best acheivement in sound nomonation
  (NZFI Awards 1991)

Sweetie

- Arenafilm Pty Ltd (total sound post production)

Panther I

– Virgo Productions (total dialogue replacement ADR)

Panther II

– Virgo Productions (total dialogue replacement ADR)

Vicious (To Make a Killing)

– Hannay Productions (total sound post production)

Out of the Body

– Hannay Productions (total sound post production)

Kadaicha

- Hannay productions (mixing)

13th Floor

– Hannay Productions (total sound post production)

Contagion

– Reef Films (total sound post production)

Remember Me

– Jim McElroy Productions

Indecent Obsession

- PBL (sound design and editing)