Feature Film Credits

awaiting release

GODDESS

- The Film Company/Wildheart Films
- (total sound post supervision)

 

 

recent releases…….

REDD INC.

- Green Light Productions
- (total sound post supervision)

BLACK & WHITE AND SEX

- All At Once/Wintertime Films
- (total sound post production)

THIRST

- Imagine Films (International)
- (total sound post supervision)

MY AMERICA

- Freshwater Pictures/Soul Vision Films
- (total sound post production)

NEEDLE

- Filmscope Entertainment
- (total sound post post production)

GRIFF THE INVISIBLE

- Green Park Pictures
- (Foley, ADR, final re-recording mixing)

JUCY

– KCDC/Bunker Productions International
– (re-recording mixing)

CAUGHT INSIDE

- Flying Fish
- (total sound post production)

BROKEN HILL

 

- Audience Alliance Motion Picture Studios with
Element 115 Productions & Cyan Films

- (total sound post production)

THE CLINIC

 

- GSL Entertainment

- (total sound post production)

FREESTYLE

- Fifth Floor Films

- (ADR recording)

BRIGHT STAR

 

- Jan Chapman Productions

- (total sound post production)

CEDAR BOYS

 

- Templar Entertainment

- (total sound post production)

CRUSH

 

- Nexus 6 Films

- (total sound post production)

THE COMBINATION

 

- See Through Films

- (Foley, ADR, sound mixing)

THREE BLIND MICE

- Dirty Rat Films

- (total sound post production)

CROOKED BUSINESS

- Nyst Entertainment

- (foley, sound mixing)

FRAGMENT

 

- Multivision/Production Group

- (total sound post production)

THE VIEW FROM GREENHAVEN

 

- MacRae Brothers/Screentime

- (total sound post production)

ALL MY FRIENDS ARE LEAVING BRISBANE

 

- Louise Alston/Bunker Productions

- (total sound post production)

ROMULUS, MY FATHER


- Richard Roxburgh/Arenafilm

- (sound mixing facilities, foley)

GABRIEL

 

- Shane Abbess/HILT Productions

- (total sound post production)

STARDUST

 

- Paramount Pictures UK

- (foley)

LADY GODIVA


- Jewson Film Productions UK

- (foley)

KOKODA

 

- GFN Productions

- (sound post production/mixing)

HAPPY FEET


- Kennedy Miller Productions

- (sound mixing facilities)

LAST TRAIN TO FREO


- Longway Films (a Taylor Media/Pork Chop Productions co-production)

- (total sound post production)

2005 and prior……

FEED

 

- Brett Leonard – All At Once (sound mixing)

SAFETY IN NUMBERS


- Safety In Numbers and Multivision 235

- (total sound post production)

Decameron

Director, David Leland – Producers, The Dino De Laurentiis Company (Foley)

Minotaur (2005)

- Director: Jonathan English – Producers: First Look Media, Meltemi Prods (UK),
John Evangelides, CMW Films (Germany), Telema (France), Kanzaman (Spain) and Buskin (Italy) (Foley)

Pobby & Dingham

- Dir: Peter Cattaneo – Producers: Lizie Gower, Nick Morris, Emile Sherman (Foley)

The Illustrated Family Doctor

- Pod Films – (total sound post production)

A Man’s Gotta Do

- Oilrag Productions – (total sound post production)

Under The Radar

- Pictures In Paradise – (total sound post production)

The Crop

- Miracle Productions – (total sound post production)

Undead

- Spierig Film – (sound mixing)

Liquid Bridge

- Avalon Films Corporation – (sound mixing)

Blurred

- Blurred Entertainment – (sound mixing)

Garage Days

- Mystery Clock Cinema – (total sound post production)

  • Best acheivement in sound nomination (AFI Awards 2002)

Beneath Clouds

- Autumn Films – (total sound post production)

Subterano

- Becker Entertainment – (sound mixing)

Musa ( Warriors )

- Sidus Corporation (Korea) – (total sound post production)

My Mother Frank

- Intrepid Films – (total sound post production)

  • Best Australian Film Soundtrack (Australian Screen Sound Guild Awards 2000)
  • Best acheivement in Feature Film dialogue and ADR (Australian Screen Sound Guild Awards 2000)
  • Best acheivement in Feature Film Foley
    (Australian Screen Sound Guild Awards 2000)

Looking for Alibrandi

- Belle Ragazze Pty Ltd – (total sound post production)

Paperback Hero

- Paperback Films – (total sound post production)

  • Best Australian Film Soundtrack
    (Australian Screen Sound Guild Awards 1999)

Occasional Coarse Language

- Flickering Films – (total sound post production)

Justice

- West Coast Pictures – (total sound post production)

Radiance

- Eclipse Films – (total sound post production)

  • Best acheivement in Feature Film sound effects
    (Australian Screen Sound Guild Awards 1998)

A Little Bit of Soul

- Faust Films – (total sound post production)

Happy Ending

- MBC Production Co. Ltd (Korea) – (total sound post production)

Wanted

- Cine 2000 (Korea) – (sound recording & editing facilities)

Doing Time for Patsy Cline

- Oilrag productions – (total sound post production)

  • Best acheivement in sound nomination
    (AFI Awards1997)

Thank God He Met Lizzie

- Stamen Films – (total sound post production)

Love Until…

- Manifesto Films – (total sound post production)

Little White Lies

- John Sexton Productions – (total sound post production)

Idiot Box

- Central Park Films – Central Park Films (Foley & ADR
recording)

Ginko Tree Bed

- Shincine Film (Korea) (sound editing and mixing facilities)

Karuna

- Il-Moc Film Productions (Korea) (sound editing and mixing
facilities)

Blackwater Trail

- John Sexton Productions (total sound post production)

All Men Are Liars

- John Maynard Productions (total dialogue replacement ADR)

Mushrooms

- Rosen Harper Entertainment (total sound post production)

  • Best acheivement in sound nomination
    (AFI Awards1995)

Vacant Possession

- Wintertime Films (total sound post production)

  • Best acheivement in sound nomination
    (AFI Awards1995)

The Sum of Us

- Quicksilver Productions (total sound post production)

  • Best acheivement in sound nomination
    (AFI Awards1994)

The Roly Poly Man

- Rough Nut Productions (total sound post production)

Talk

- Suitcase Films (total sound post production)

Bedevil

- Anthony Buckley Productions (Foley recording & mixing
facilities)

Broken Highway

- Black Ray Films (ADR & Foley recording, sound editing &

mixing facilities)

Shotgun Wedding

- David Hannay Productions (total sound post production)

  • Best acheivement in sound nomination
    (AFI Awards1993)

Breathing Under Water

- Periscope Productions (total sound post production)

  • Awarded special acheivement in sound design
    (AGSC 1992)

The Russia House

- (additional digital dialogue editing)

Return to Blue Lagoon

- Columbia Pictures (ADR recording)

An Angel at My Table

- Hibiscus Films (total sound post production)

  • Best acheivement in sound nomonation
    (NZFI Awards 1991)

Sweetie

- Arenafilm Pty Ltd (total sound post production)

Panther I

- Virgo Productions (total dialogue replacement ADR)

Panther II

- Virgo Productions (total dialogue replacement ADR)

Vicious (To Make a Killing)

- Hannay Productions (total sound post production)

Out of the Body

- Hannay Productions (total sound post production)

Kadaicha

- Hannay productions (mixing)

13th Floor

- Hannay Productions (total sound post production)

Contagion

- Reef Films (total sound post production)

Remember Me

- Jim McElroy Productions

Indecent Obsession

- PBL (sound design and editing)